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Diffstat (limited to 'mockup/typography_test.html')
| -rw-r--r-- | mockup/typography_test.html | 29 |
1 files changed, 15 insertions, 14 deletions
diff --git a/mockup/typography_test.html b/mockup/typography_test.html index 832057f..f4ca915 100644 --- a/mockup/typography_test.html +++ b/mockup/typography_test.html @@ -26,10 +26,10 @@ <figure> <img src="../media/Raffael_058.jpg"/> <figcaption> - <span class="source">The School of Athens by Raphael, 1509-1510 <a href="http://commons.wikimedia.org/wiki/File:Raffael_058.jpg" rel="external">(Wikimedia Commons)</a></span> - Ousía (οὐσία) is a term used by ancient greek philosophers to - describe <q>The entirety of constant features, based on which - objects can be defined</q>.</figcaption> + <span class="source">The School of Athens by Raphael, 1509-1510 (<a href="http://commons.wikimedia.org/wiki/File:Raffael_058.jpg" rel="external">Wikimedia Commons</a>)</span> + Ousía (οὐσία) originally is a term used by ancient greek + philosophers to describe <q>The entirety of constant features, + based on which objects can be defined</q>.</figcaption> </figure> <p>Let's start with the mandatory one-sentence sales-pitch answer to @@ -60,7 +60,7 @@ <h3>Ousía is not LaTeX</h3> <aside>Ousía is not a typesetter. It lets you define the meaning of - your document, and not what it looks like.</aside> + your document instead of style.</aside> <p>You may have seen examples of documents written in the Ousía Markup Language and thought “Well, that's just LaTeX!”. Rest @@ -76,8 +76,9 @@ documents in a less awkward way.</p> <p>Ousía knows nothing about typesetting. It doesn't even know what - medium your document will end up on. Ousía is for describing the - content of your document. Nothing more.</p> + medium (Webpage, Paper, E-Book) your document will end up on. Ousía + can be used to describe the content of your document. Nothing more. + </p> </section> <section class="subsection"> @@ -101,7 +102,7 @@ <figure> <img src="../media/Kizil_Hauzen_Bridge_2013.jpg"/> <figcaption> - <span class="source">Kizil Hauzen Bridge, Iran, 2013 <a href="http://commons.wikimedia.org/wiki/File:Kizil_Hauzen_Bridge_2013.jpg" rel="external">(Wikimedia Commons)</a></span> + <span class="source">Kizil Hauzen Bridge, Iran, 2013 (<a href="http://commons.wikimedia.org/wiki/File:Kizil_Hauzen_Bridge_2013.jpg" rel="external">Wikimedia Commons</a>)</span> We aim at building a bridge to end the seperation of the ordinary user from the the power of the Semantic Web, there, awaiting them on the other side.</figcaption> @@ -119,7 +120,7 @@ <p>In that case you'll very likely say: <q>I have everything I need! Leave my standards alone! They are mine, all mine! My precious!</q></p> - <p>Well, fear not! We're there to help. We too believe the Semantic + <p>Well, fear not! We're here to help. We too believe the Semantic Web is great, but we want to allow everyone to write documents with semantic markup. We've designed Ousía to be as simple as possible for the end-user. It will be possible to export Ousía @@ -179,16 +180,16 @@ and therefore belongs to the composite order of architecture. \end{meta} % Define the characters that occur in the book -- we can - % later reference them by their name ("hashtag") + % later reference them by their instance name ("hashtag") \begin{characters} - \def#hf{ + \def#huck{ \name{ \first{Huckleberry} \first[short]{Huck} \last{Finn} } } - \def#ts{ + \def#tom{ \name{ \first{Thomas} \first[short]{Tom} @@ -204,8 +205,8 @@ and therefore belongs to the composite order of architecture. Most of the adventures recorded in this book really occurred; one or two were experiences of my own, the rest those of boys who were schoolmates of mine. - ::{hf}Huck Finn:: is drawn from life; ::{ts}Tom - Sawyer:: also, but not from an individual—he is a + ::{huck}Huck Finn:: is drawn from life; ::{tom}Tom + Sawyer:: also, but not from an individual -- he is a combination of the characteristics of three boys whom I knew, and therefore belongs to the composite order of architecture. |